We like Beppe because he corresponds to an imagined world of ours that is found in the Etruscan, which pleased Cardarelli and Arturo Martini and which this same Cardarelli exalted because there he found the ancient inclination to use the fingertips, like a baker, to mold clay lightly and rapidly. Because this work, which is about molding and not sculpting, that is adding on, not taking off, which is more existential materialism and not Neoplatonism, this work merges, to make the artist, an artisan and a poet, and is not based on-the unstoppable increase in size of ambition, which is the preparatory parameter for the Lagoon via the Hudson River.