Franz Liszt's transcriptions of other composers' music are as highly regarded as his original piano works. Some listeners--Schumann among them---consider Liszt's painstaking transcriptions to be completely new works. Using his gifts for fathoming the deepest meanings of a given piece, Liszt also created a uniquely revealing work. In addition to drawing attention to composers and works that would otherwise have remained unknown to a wider public, Liszt's piano transcriptions introduced the instrument to uncharted territory: for the first time, a keyboard could be used to reproduce the sound of any instrument.The composer brought numerous innovations to the practice of piano playing to achieve the richness and color of the original works, from the technique of hand crossing to revolutionary changes in the use of the pedals.

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Organ-Fantasy and Fugue in G Minor

 (BWV 542 · S463)

 Six Organ Preludes and Fugues

Prelude and Fugue in A Minor

 (BWV 543 · $462/1)

 Prelude   17

 Fugue  21

Prelude and Fugue in C Major

 (BWV 545 · S462/2)

 Prelude  29

 Fugue  31

Prelude and Fugue in C Minor

 (BWV 546 · S462/3)

 Prelude   35

 Fugue   41

Prelude and Fugue in C Major

 (13WV 547 · S462/4)

 Prelude  45

 Fugue  50

Prelude and Fugue in E Minor

 (BWV548 · S462/5)

 Preludc  5 5

 Fugue  61

Prelude and Fugue in B Minor

 (BWV 544 · S462/6)

 Prelude  71

 Fugue  78